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Giving gifts to kids in need using Instagram

Instaclaus.front.page   Erwin Penland 2012 Holiday CardA few months ago I became addicted to Instagram, the photo-sharing app on the iPhone and Android operating system. I’ve always loved photography, but I’ve never really excelled at it. I once tried reading the manual for our Canon DSR camera, and my brain started to hurt.

Still, I have beautiful children, and I love capturing their happy little faces. We have tens of thousands of such photos, and some of them are priceless if I do say so myself. So I was thrilled to discover Instagram. With my smartphone I can snap a photo, do a few quick edits, and then post it directly to my Instagram feed, Twitter, and Facebook. It makes sharing photos so much easier, and my family — spread all over the country, and a few overseas — appreciates it immensely, or so their comments at facebook would lead me to believe.

So when it cam time to develop a holiday card for Erwin Penland, the ad agency I work for, the digital team and I discussed the possibility of doing something with Instagram. Ad agencies don’t do traditional holiday cards anymore. That’s boring and expected, and agencies are dead in the water in they simply do the expected. This is a creative business, after all, and agencies wisely take every opportunity to prove their creativity.

But showcasing the agency’s creativity was not our focus this year. After Sandy, we wanted to do something meaningful for people, something that expressed the true spirit of the holidays by helping children in need. But since we would be sending this “card” to our clients and vendor partners, we wanted to involve them in our efforts as well.

The result is Instaclaus, a site that allows you to turn your Instagram photos into Christmas gifts for children in need. Here’s what I wrote at the site to explain how it works.

How it Works

Here in the workshop you’ll find over 100 requests from real children in need, all of whom are from the three cities where Erwin Penland has offices: Greenville, New York and Detroit. You can help “build” each gift by posting a relevant photo to Instagram.

The description above each gift explains the type of photo required. Post your photo with the two requested hashtags, and we’ll add it to the workshop. Once a gift has five photos, we’ll move it to the InstaClaus bag for delivery, with your Instagram handle on the gift tag. A new gift from our queue will move into the workshop, and you can start all over again.

You can only submit one photo per gift, but you can post to as many gifts as you’d like. So the more photos you take, the more we’ll give!

The site has already fulfilled dozens of gifts. Here’s what it looks like when that happens.

Christian

There are still gifts to give, so if you’d like to participate, hurry to the site and give it a go. It’s free, fun, and for a good cause.

Vodafone – Movies on your Phone

I love this print campaign from Scholz & Friends NRW in Duesseldorf, Germany for Vodafone. Don’t know exactly how these were used. They’re make great subway terminal posters. Not necessarily a new idea, but a fun one and executed well.

Pampers Swing Cover

A creative team over at Saatchi Saatchi Germany has come up with a cool way to feature a new line of Pampers diapers called Cruisers. The diapers apparently offer greater flexibility around the legs and therefore greater mobility for little tots. So they’re “play” diapers, whatever that means. Personally, I can’t imagine a parent switching diapers just for playtime–and I’m qualified to have this opinion since I have a child currently in diapers–but hey, maybe some parents are looking for a diaper just for play time.

In any event, the guys and gals at Saatchi have made a fabric cover for playground swings. It’s a cool idea, but like most guerrilla ideas, it will likely only get seen by a handful of people. What’s more, I can’t imagine these will stay on the swings for very long. They’ll slip off and get blown around the playground in no time flat. So it’s just as much litter as it is advertising, but hey, it’s a fun idea.

Michelin. The Protector Brand becomes the Hero Brand

Years ago, Michelin had one of the greatest taglines in advertising history: Because so much is riding on your tires. The line, with its obvious play on words, sent a clear message to parents. It said buying chintzy tires isn’t only cheap, it’s potentially dangerous. When the rain is falling and the bridge is icy, do you really want second-rate tires on your station wagon? No. You don’t. Because the family is too precious, your child’s safety too invaluable.


The line, coupled with that adorable Michelin baby, worked like gangbusters because it gave meaning to Michelin tires. It not only validated the higher price tag, it also validated parents. It said, Hey, I’m a good parent. I buy Michelin tires, therefore I care about my kids. I’m doing a good job at this raising a family thing.

In the book The Hero and the Outlaw: Building Extraordinary Brands Through the Power of Archetypes, the authors argue that the “meaning of a brand is its most precious and irreplaceable asset.” And I agree. What a brand means to consumers is much more valuable than the sum of its many product attributes. People don’t want to know the chemical compound of rubber that gives those tires that icy-road grip. They want to know they’re good parents, that they’re making the best decision for their family.

It’s not a new concept of course. It’s the essence of branding. But Michelin’s most recent campaign is a perfect example of a brand searching for new meaning.

Since the Michelin baby (which people in focus groups still vividly remember) Michelin has kind of floundered in their advertising. In the ad below, Michelin strives to be the technologically advanced, environmentally friendly, all-things-to-all-people brand.

And it didn’t work.

Especially on the eve of an economic downturn, when premium priced items are the last things on anyone’s mind. It was a shotgun approach to giving the brand new meaning. There’s throw a bunch on things on the wall and hope something sticks.

But the new campaign by TBWA Chiat Day gives Michelin new meaning that feels like a step in the right direction.

The weakest aspect of the campaign is its line “The Right Tire Changes Everything.” Which feels a little . . . meh. The statement may be true, but it comes off flat when you hold it up to the line of yesteryear. Of course in its defense, it’s attempting something entirely different — a practical instead of an emotional strategy.


Right now, considering that most Americans are crying over their 401K, it’s probably safe to assume that people are less concerned about safe driving in a rain storm than they are about making the right economic decision. And that doesn’t necessarily mean taking the cheapest option. These are the days of the smart shopper, the one who can see the big picture. And that’s the campaign’s goal. Michelin tires are more expensive yes, but think long term, people. You’re going to save a boatload on gas with these babies.

Strategically is feels right.

But even if it wasn’t, I’d still love the first spot in the campaign, in which the Michelin Man quite literally adopts the mythological hero archetype and takes down a money-guzzling gas tank monster. The animation is fantastic. The voice over is great. And turning the Michelin Man into a tire-chucking superhero is two thumbs way up. Why hasn’t anyone thought of this before? I mean, the guy is made of tires, for crying out loud. Let’s use that, shall we.


So what used to be the Protector brand has now become the Hero, the answer to all your car-related needs. It’s a bold statement for a tire company to make. Can a tire change that knocking sound in my transmission? Don’t think so.

But I’m going to give Michelin the benefit of the doubt. For now. They’ve got me nodding along with the fuel-efficiency spot. But only time will tell is the right tire truly changes everything.

Smell that? That’s fresh brewed advertising.

I’m a sucker for innovative ambient work, which used to be called guerrilla advertising — and probably still is in some circles. What’s great about ambient work is that it’s so unexpectedly disruptive. Advertising so saturates our society, so assaults us from every roadside, radio frequency and corner of the Internet, that are minds have a hard time processing it all. We go into cruise control and let most ads wash over us without their little seeds taking root in our subconscious. After awhile it all becomes noise. (I’ve probably been exposed to 50 web banners today, and I can’t remember a single one.)

But ambient work, with its grandiose scale and unexpected placements, jolts us from our ad-averse reverie and forces us to take notice.

Two perfect examples are these beauties from Cossette.

How do you advertise free coffee at McDonald’s? Well, you transform a light post into a pouring pot of coffee. Duh!

Seriously, in a thousand years I’m not sure I would have thought to do this. Brilliant.

And then there’s this one, which works just as well and has the added benefit of stressing to consumers that time is running out. Everyday the coffee bean count goes down. Again, brilliant. I only hope they don’t actually brew the coffee using these beans. Eck!

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